50th Anniversary Super Deluxe Edition: 2 CD + LP + 7 "+ Blu-ray Audio
STAGE FRIGHT, the Band's third album released in 1970, is celebrated with new expanded, remixed and remastered editions.
On February 12, 2021, Capitol / Universal Music will celebrate the 50th anniversary of the record that has been remixed and expanded for the occasion and will be released in various editions: Super DeLuxe Boxset, Double CD and LP with 180g vinyl.
All versions of the Anniversary Edition have been overseen by Robbie Robertson and feature a new stereo mix of the original multi-track masters by Bob Clearmountain. Also, for the first time, the songs are presented with the originally planned sequence. In the Double CD and Boxset versions there are also unreleased field recordings, alternate mixes and an unreleased live concert at the Royal Albert Hall in London in 1971.
Exclusively for the Boxset, Clearmountain has also created a new 5.1 surround mix of the album, two bonus tracks and the whole concert, presented on Blu-ray with the new stereo mix and hi-res audio (96kHz / 24 bit). . The box set also includes an exclusive reproduction of the 7 '' vinyl single released in Spain in 1970 with "Time To Kill" / "The Shape I'm In", a booklet with bio-record notes of Robbie Robertson and John Scheele, the reproduction of Robert Hilburn's review published by the Los Angeles Times, three photographic lithographs and an avalanche of photographs by Scheele and many other photographers.
Content:
• New stereo mix of the album by Bob Clearmountain with new track-listing, bonus tracks + unreleased live at the Royal Albert Hall (1970)
• CD1 with new stereo mix album, new track-listing and bonus tracks
• CD2 with the concert at the Royal Albert Hall in London
• Blu-Ray with 5.1 surround and hi-res stereo mix of the album and the unreleased concert at the Royal Albert Hall 1970
• LP with new STEREO MIX (180g)
• 7 "replica of the original" Time To Kill / The Shape I'm In ", Spanish Capitol single
• Booklet with bio-record notes by Robbie Robertson and John Scheele and reproduction of the Los Angeles Times review by Robert Hilburn
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